NATHAN THEYS
DIRECTOR | PRODUCER
BLOOD ORANGE - 5MIN
Directed by N. Theys
Cinematography by N. Theys - Music Only
Colour: Black and Red
Ratio: 2.35
Format : Digital
Festivals: Corto Formo Valencia Spain
A child mirrors the struggles of adults, who grapple daily with the relentless demands of an unyielding, faceless system. My Blood Orange is a searing meditation on violence, its cyclical nature, and the fragility of innocence. Through the poignant metaphor of an orange—an unassuming symbol of vitality and natural beauty—I’ve tried to draw a visceral connection between purity and brutality. The transformation of something so wholesome into a vessel for blood and violence captures the unsettling truth of how human emotions can decay into destructive impulses.
Set against the sun-dappled backdrop of Castellón, Spain, a village nestled in Valencia's orange-growing heartland, the setting itself becomes a character. The lush groves and tranquil scenery belie the underlying tension, amplifying the film's thematic contrasts. Here, the oranges are more than fruit; they are a canvas, stained with the story of how innocence is ruptured, leaving behind the red residue of humanity's darker instincts.
I would like to think that my lens captures not only the beauty of the region but also the latent unease, transforming the idyllic landscape into a stage where history, violence, and nature intersect. A child’s journey through this landscape mirrors the dissonance between adult struggles and the yearning for simplicity, making their experiences a prism through which the harsh realities of human existence are refracted. It's a work that lingers, asking us to reflect not just on the cycles of violence we perpetuate, but also on the delicate, fleeting moments of purity we too often destroy.
SEE HOW THEY RUN - 8MIN
Directed by N. Theys
Cinematography by N. Theys - Silent
Colour: Black and White
Ratio: 4:3
Format : VHS
Festivals: Officially Selection Festival Silhouette Le Court Metrage
"See How They Run" is an evocative exploration of society's complexities, framed through the unblinking gaze of a CCTV camera. This lens becomes a powerful metaphor for "blindness"—both literal and figurative—as it scrutinizes human behavior with an unfeeling clarity. The piece unfolds through the jarring spectacle of a kidnapping, weaving together layered themes: the blind leading the blind, the recklessness of being blind drunk, the vulnerability of being blindly in love, and the willful ignorance of turning a blind eye. It’s a thought-provoking narrative that challenges the audience to confront the dissonance between observation and understanding, visibility and insight.